Exploring the ongoing shift in our cultural narrative illustrated through film

Listed below are Discourse Parlor writings which you may have missed, or perhaps would like to revisit and which have drifted down the page, a characteristic of this weblog form that I admit has taken me some time to understand and work with.  But then I started thinking that it wasn’t so different from a stack of books on a desk and they just needed a spine to write the titles on, so to speak, so a person could be reminded of their existence.

So if you want a look, simply click:

• The fight for women’s promise part one Revolutionary Road
• The fight for women’s promise part two Blue Valentine
• Womanhood’s escape from the reproductive model in Leaving, I am Love, & The Private Lives of Pippa Lee
• Questing for a heroic practice of love in Winter’s Bone
• Is there any love in the film Closer?
• The Nature of Love in three films by Jane Campion-Bright Star
• The Nature of Love in three films by Jane Campion- The Piano
• The Nature of Love in three films by Jane Campion- Holy Smoke
• An Interim Discourse on the Nature of Love
• The Girl with the Dragon Tattoo and the Search for the Female Hero’s Jouney 
• The End of the Male Narrative in The Road
• The End of the Male Narrative in No Country for Old Men & There Will be Blood
• Does anatomy is destiny apply to Kathryn Bigelow?  The Hurt Locker
• The old familiar tale of the Hunter in After the Wedding